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The Decline of Tie/Dye and Batik Centres in the Ho Municipality of Ghana

Received: 19 July 2019     Accepted: 13 August 2019     Published: 26 August 2019
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Abstract

Batik and tie-dye are popular local Ghanaian fabrics. The fabrics are inexpensive and can be afforded by anybody. They are patronised by both the rich and the poor. The fabrics are characterized by beautiful and colourful designs ranging from planned to accidental designs. In the Ho Municipality of Ghana, the production of batik and tie-dye fabrics has started to take a nose dive. Most of the production centres in the Municipality have collapsed. Only few have survived. Even those which have survived dedicate most of their production hours to other income-generating activities such as screen printing and painting. This results in the production of small quantities of the fabric which cannot meet the high demand in the Municipality. Now the fabrics are brought from other parts of the country at high cost. The study is therefore aimed at investigating and unravelling the causes of the decline of batik and tie-dye centres in the Ho Municipality of Ghana. In the study, the qualitative research method was adopted and a sample population of two-hundred and fifty (250) respondents was selected for the study. Data was analysed using the Statistical Package for Social Sciences. A major finding of the study is that, lack of funds is the contributing factor to the decline of the batik and tie-dye centres in the Municipality. It is therefore recommended that government should support the centres financially by giving them soft loans.

Published in American Journal of Art and Design (Volume 4, Issue 2)
DOI 10.11648/j.ajad.20190402.12
Page(s) 15-21
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2019. Published by Science Publishing Group

Keywords

Batik, Tie-Dye, Municipality, Income-Generating Activities, Statistical Package for Social Sciences

References
[1] Maile A. (1971) Tie and dye made easy, Taplinger Publishing Company, New York.
[2] Maile A. (1963) Tie and dye as a present-day craft, Taplinger Publishing Company, New York.
[3] Charan. Indian batik: Another Ancient Art of Printing on Textiles: retrieved 30 April 2014.
[4] Natasha R. (2012) batik: spectacular textiles of Java, the Newsletter International Institute for Aian Studies.
[5] The Creation of Handmade Batik in Ghana, artsandculture.google.com/exhibit: retrieved 13th February 2019.
[6] Stuart, R. (1969), A History of Dyed Textiles. London, Studio Vista Ltd.
[7] Adetonu A. (2009) Strategies for Economically Sustainable Resist Dyeing Industries in Abeokuta, Ogun State, Nigeria (Unpublished PhD thesis), University of Southampton.
[8] Picton J. (1995) the Art of African Textiles: Technology Tradition and Lurex, London, Lund Humpries.
[9] Frimpong C. (2009) User-friendly colour matching system for tie-dye/batik producers, unpublished these. Pp 15.
[10] Akwa F. (2014) batik and tie/dye loose popularity as modern clothing takeover, myjoyonline.com.
[11] ModernGhana.com (2018) Batik and Tie-dye Business Operators in Ho cry for help: retrieved 15th January 2019.
[12] Borg, W. R., & Gall, M. D. (1989). Educational research. An introduction (5th ed.). White Plains, NY: Longman.
[13] Neil J. S. (2000) Statistics for People Who (Think They) Hate Statistics, Sage Publications, Inc.
[14] Fraenkel, J. R., & Wallen, N. E. (1996). How to design and evaluate research in education (3rd Ed.). New York: Mc Graw-Hill.
[15] GhanaWeb.com (2017) Left to die: Ghana’s textiles Industry nears collapse: retrieved 17th March 2019.
Cite This Article
  • APA Style

    Richard Gbadegbe, Vigbedor Divine, Quashie Mawuli, Asemsro Bijou. (2019). The Decline of Tie/Dye and Batik Centres in the Ho Municipality of Ghana. American Journal of Art and Design, 4(2), 15-21. https://doi.org/10.11648/j.ajad.20190402.12

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    ACS Style

    Richard Gbadegbe; Vigbedor Divine; Quashie Mawuli; Asemsro Bijou. The Decline of Tie/Dye and Batik Centres in the Ho Municipality of Ghana. Am. J. Art Des. 2019, 4(2), 15-21. doi: 10.11648/j.ajad.20190402.12

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    AMA Style

    Richard Gbadegbe, Vigbedor Divine, Quashie Mawuli, Asemsro Bijou. The Decline of Tie/Dye and Batik Centres in the Ho Municipality of Ghana. Am J Art Des. 2019;4(2):15-21. doi: 10.11648/j.ajad.20190402.12

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  • @article{10.11648/j.ajad.20190402.12,
      author = {Richard Gbadegbe and Vigbedor Divine and Quashie Mawuli and Asemsro Bijou},
      title = {The Decline of Tie/Dye and Batik Centres in the Ho Municipality of Ghana},
      journal = {American Journal of Art and Design},
      volume = {4},
      number = {2},
      pages = {15-21},
      doi = {10.11648/j.ajad.20190402.12},
      url = {https://doi.org/10.11648/j.ajad.20190402.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20190402.12},
      abstract = {Batik and tie-dye are popular local Ghanaian fabrics. The fabrics are inexpensive and can be afforded by anybody. They are patronised by both the rich and the poor. The fabrics are characterized by beautiful and colourful designs ranging from planned to accidental designs. In the Ho Municipality of Ghana, the production of batik and tie-dye fabrics has started to take a nose dive. Most of the production centres in the Municipality have collapsed. Only few have survived. Even those which have survived dedicate most of their production hours to other income-generating activities such as screen printing and painting. This results in the production of small quantities of the fabric which cannot meet the high demand in the Municipality. Now the fabrics are brought from other parts of the country at high cost. The study is therefore aimed at investigating and unravelling the causes of the decline of batik and tie-dye centres in the Ho Municipality of Ghana. In the study, the qualitative research method was adopted and a sample population of two-hundred and fifty (250) respondents was selected for the study. Data was analysed using the Statistical Package for Social Sciences. A major finding of the study is that, lack of funds is the contributing factor to the decline of the batik and tie-dye centres in the Municipality. It is therefore recommended that government should support the centres financially by giving them soft loans.},
     year = {2019}
    }
    

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    AU  - Richard Gbadegbe
    AU  - Vigbedor Divine
    AU  - Quashie Mawuli
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    JO  - American Journal of Art and Design
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    UR  - https://doi.org/10.11648/j.ajad.20190402.12
    AB  - Batik and tie-dye are popular local Ghanaian fabrics. The fabrics are inexpensive and can be afforded by anybody. They are patronised by both the rich and the poor. The fabrics are characterized by beautiful and colourful designs ranging from planned to accidental designs. In the Ho Municipality of Ghana, the production of batik and tie-dye fabrics has started to take a nose dive. Most of the production centres in the Municipality have collapsed. Only few have survived. Even those which have survived dedicate most of their production hours to other income-generating activities such as screen printing and painting. This results in the production of small quantities of the fabric which cannot meet the high demand in the Municipality. Now the fabrics are brought from other parts of the country at high cost. The study is therefore aimed at investigating and unravelling the causes of the decline of batik and tie-dye centres in the Ho Municipality of Ghana. In the study, the qualitative research method was adopted and a sample population of two-hundred and fifty (250) respondents was selected for the study. Data was analysed using the Statistical Package for Social Sciences. A major finding of the study is that, lack of funds is the contributing factor to the decline of the batik and tie-dye centres in the Municipality. It is therefore recommended that government should support the centres financially by giving them soft loans.
    VL  - 4
    IS  - 2
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Author Information
  • Department of Industrial Art, Ho Technical University, Ho, Ghana

  • Department of Industrial Art, Ho Technical University, Ho, Ghana

  • Department of Industrial Art, Ho Technical University, Ho, Ghana

  • Department of Fashion Design and Textiles, Ho Technical University, Ho, Ghana

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